The start of the semester is right around the corner for
many of my academic friends. Previously, I taught semester long courses on
topics ranging from curatorial practice to the history of photography. My
friend and former colleague is teaching a new media course and I offered to
provide a list of the 10 most important photographers per decade since the
inception of photography. What was I thinking? As I type this I know this is a
difficult task. Also, it will yield a very long post because I’m long winded
about the topic.
Names seem to be the way to approach the history of
photography because photography (as a distinct medium) really does not take
part in artistic movements until the mid to late 20th century.
Rather, various chemists, inventors, and photographers represent benchmarks in
how our vision and ideas changed before, during and after the industrial
revolution. In short, I find that photography reflects and shapes social
history, which all art can claim to do, but I think photo’s hand in science,
advertising, historic preservation, social science, and now social media really
makes it a part of society more than any other medium.
This is the first part. I might even have to break it up
into three different posts.
The dawn of time to the 18th century
I want to make it known that many painters, while not
officially photographers, used the camera obscura. To illustrate this point I
often show this clip from the girl with the pearl earring when Johannes Vermeer shows Scarlett Johansson (aka the anonymous girl in the
painting) a camera obscura. I also show Abelardo Morrell’s contemporary work. He turns
entire rooms into camera obscuras and it is magical.
1820s and 30s
At this point, so many people in the world are attempting to
fix an image; it is probably impossible to identify all those who made
attempts. The major players instrumental to the birth of photography are Joseph Nicéphore
Niépce, who is credited for the
earliest surviving photograph roughly dated 1826-1826, John Herschel, who discovered sodium thiosulphate was a solvent of
light sensitive silver salts, William
Henry Fox Talbot, the progenitor of the negative-positive form of
photography we are familiar with and use today (Multiples for everyone!), and Louis Jacques Mandé
Daguerre, the democratizer of photography and the reason we all don’t have
to pay a patent fee to take pictures (unlike Talbot who was a crank and wanted
to charge people for taking photos)
At this point, I make students debate the most important
person responsible for the birth of photography and it usually becomes a
predictable battle of England vs. France.
1840s
Anna Atkins, a
botanist created cyanotypes by pressing algae to sensitized paper
Hippolyte Bayard
pretended to be dead in a photograph and people were certain it was real
John Plumbe Jr.
All the daguerreotype portrait studios spread across the US, which
usually listed the studio name rather than the individual photographer (because
photographers were not artists, they were craftspeople!)
Jules Lion,
started a daguerreotype studio in New Orleans. First African American studio
owner
Augustus Washington,
African American daguerreotype studio owner
David Octavius Hill
and Robert Adamson
Carl Ferdinand
Stelzner
Thomas Easterly
1850s
Maxime Du Camp.
As soon as photographing became viable, people started to travel with the
camera to document as many important places as possible, like the Egyptian
monuments.
Gustave Le Gray,
I am a fan of his mystical landscape photographs
Charles Négre
John Whipple, who
photographed the moon, which is still difficult
Platte D. Babbit,
took tourists to Niagara Falls. Enter the creation of the vacation picture
convention in which we all take part. We want to stand in front of a place and
claim, “I was there.”
Roger Fenton, one
of the first war photographers, documenting the Crimean war-no battle scenes
yet, just aftermath, because shutter speeds were too slow and Fenton was
instructed to show that war was heroic. War still looked disturbing nonetheless,
more disturbing than a painting of Napoleon anyway.
Felice Beato, another
conflict documenter showing the aftermath of uprisings in China, India and more
William Lake Price
Oscar G. Rejlander.
His Two Ways of Life, 1957 is one of
the first photomontages that truly illustrate a photographer’s potential artistry.
Other than that the photograph is incredibly sanctimonious, it does propose
photography’s potential as an artistic medium rather than existing in the
service of science or as studies for paintings.
Henry Peach Robinson
1860s
Julia Margaret
Cameron, beautiful work by this pre-Raphaelite, wet plate photographer. She photographed children nude but didn't receive the label as bad mother/grandmother, unlike Sally Mann in the 1990s.
Lewis Carroll, another pre-Raphaelite and the writer of Alice in Wonderland also took photographs of younger girls
that are not only taboo but may even be a little illegal these days. Keep in mind at this
point there were no child labor laws and child pornography did not exist as a
litigable offense. There was also no such thing as ethics in photography. Here
in the lecture is when I mention that this is not a new phenomena where humans
need to play catch up in determining what is and is not okay to photograph
because we have yet to establish a “common sense” at the outset of new
technology. We tend to want to capture our activity, however nefarious, because
it’s fun, only to later realize that said documentation becomes damning proof
in a court of law. For instance these guys.
Lady Clementina
Hawarden. While photography may have been for the ladies too, you still had
to be pretty rich with lots of free time on your hands. Enter in the British
aristocracy
Alexander Gardner.
Civil war photographer and creator of Gardner’s Photographic Sketch Book of
the War, which no one wanted to look at because it was a bunch of dead guys
and it was, well, upsetting. Home of the
Rebel Sharp shooter is probably the most famous image. Gardner also broke
free of Brady’s tutelage and began the practice of crediting individual
photographers for their shots.
Timothy O’Sullivan,
civil war photographer and a manifest destiny photographer. I think his images of the
civil war are the most jarring war photographs.
Auguste-Rosalie
Bisson (Bisson Bros.), amazing travel photographers, who created one of my
favorite photographs of climbers ascending Mont-Blanc. The climbers look like
ants
Francis Frith,
another travel photographer documenting the pyramids-so we all don’t have to
physically see them, making us a lazy. Or it made us want to travel more, you decide.
Thomas Annan, a
street and urban life photographer showing how bad cramped industrial life was
in Scotland. This is the beginning of social justice photography.
Nadar and his
Studio portrait photographs
Mathew Brady
photographed Abraham Lincoln, which is awesome and the beginning of politicians
realizing that photographs can help you win elections if you are tall and
studious looking. Nixon didn’t take the cue for his television debate with Kennedy.
1870s
William Henry Jackson,
another manifest destiny photographer. The upsetting thing is you can see how
global warming has in fact changed the western American landscape since these
photographs were made. Jackson's famous mountain of the holy cross barely has snow apparently
Eadweard J Muybridge
is an important guy. Not only did he get away with murdering his wife’s lover,
he was a western landscape photographer and he is the creator of locomotion
photography. He proved that all four hooves come off the ground when horses
gallop, something we cannot see with our naked eyes. At this point humans have
to accept that our eyes deceive us. We cannot see everything and trust our own
senses to know what is absolutely, empirically true. Finally, Positivism gets
thrown out the window.
There are more locomotion photographers that follow in Muybridge’s
footsteps: Thomas Eakins, Étienne Jules Marey
John Thomson
photographed the poor in London
Other studio portrait photographers like Antoine Samuel Adam-Salomon and Napoleon Sarony
Okay, I guess this is somewhat of an empty decade so I’m
just moving on
1880s
What an exciting decade with the introduction of the Kodak
camera, a preloaded film camera with a circular composition. Also introducing
the snap shot with R.K. Albright and
all the other anonymous snap shot photographers. Later in contemporary
photography, this approach is actively used and referenced by fine art
photographers William Eggleston and Nan Goldin
Also, we have the introduction of our own photography
artistic movement called Pictorialism
with P.H. Emerson, George Davison,
Edward Steichen, early Alfred Stieglitz, Alice Boughton, Robert Demachy,
Frederick H. Evans, and more who worked through the end of the century.
1890s
Important for American social justice photography was the
publication of How the Other Half Lives by Jacob A. Riis. Riis was kinda funny because he would not consult
with the people before photographing them in the New York tenements. He would
light a spark, shoot, and run. Sometimes his sparks (pre flash era of
photography) would catch the buildings on fire. His photographs show the ugly
side of industrialization and the despicable quality of life for the growing
populations in New York. But yay self-sustaining capitalism!?
Francis Benjamin
Johnston
F. Holland Day
Also the Lumière brothers’ first films show and according to rumor
(not fact) people ran out of the theatre as the train came into the station.
I’m moving on to the 1900s because this is tiring
1900s
Phew, we made it to the century I am more familiar with.
Okay, late Alfred Stieglitz
after he dumps Pictorialism starts to bloom by becoming an advocate for Modernism,
particularly European Modernism. He continues his quest advocating for modern
art and non fuzzy photography in North America for the next 30 years and makes
a beautiful life long portrait of his wife/artist, Georgia O’Keefe
A lot of ethnographic photography happening in this period
with Adam Clark Vroman photographing
indigenous groups in the US. Also Edward
S. Curtis started his long project of photographing tribes for the creation
of the publication, The North American Indian. My photography professor
said, “Bad Curtis is better than no Curtis.” Curtis edited photos, pre Photoshop,
by burnishing out modern machinery, like clocks, on his photogravure plates.
Still many are glad the photographs exist at all so that images of ancestors
are preserved in perpetuity.
Jacques-Henri Lartigue
made snapshots during La Belle Époque
Lewis Hine also
starts to photograph children in their work places in major US cities (which
was not welcomed by industry). He depicts the hardships of an incredibly
vulnerable group of laborers pre child labor laws
This is also when many of the Pictorialists are still
working in their Pictorialist approach including the fashion photo work of Baron De Meyer, one of my favorites
Frank Eugene, a Pictorialist,
does the unthinkable of scratching negatives (a modernist, photo purist no-no)
Clarence H. White,
another Pictorialist
Also, color film is invented in this decade but it’s tricky
to use. We continue to document the world in black and white.
I'll start with the 1910s next time.
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